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The Druid/Wiccan Runes
The word "Rune" means "Tree". Trees are
to Druids, what the crucifix is to Christians (no offense ... really that's true!). It's the symbol of where they come from
(above/branches) who we are (physical/trunk) and where we are going (below/roots)
The original Runes were either river stones
or wood chips ... any material that naturally contained the symbol(s) through the 'course of it's life'. A Druid would spend
most of his/her life collecting Runes, because they were born of the Earth Mother, never made or carved by hand.
Rune symbols were often painted and incorporated into buildings and ceremonial circles for the purpose of calling the
energy or protection of that particular tree. The teachings of the Runes and their true power was born of the Earth
Mother and came through the tree of life. Runes were traditonally used to bless and protect the holy places of the
Druids.

The Meanings of the Runes
Each rune possesses at least one meaning linking it to an idea or object. With many of the
runes there are at least two or three possible meanings.
FEHU The meaning of this rune is 'cattle', a vital aspect of the life of any agricultural community and an important
factor in the economy of a group of peoples initially unacquainted with the use of money. The rune represents possessions
won or earned and thus also material gain.
The Anglo-Saxon runic poem describes wealth as a comfort to all men,
then goes on to add that they must bestow it freely if they wish to gain favour in the sight of the Lord. This is not the
Christian interpolation that it at first appears, as the bestowing of rewards and generosity is an important feature of much
of the extant saga literature. As we shall see later there is even a 'gift' rune.
The Norwegian and Icelandic
rune poems take a more cynical view and regard wealth as a cause of discord among kinsmen. The Norwegian poem (NRP) compares
this to the wolf living in the forest, whilst the 'fire of the sea and path of the grave-fish' of the Icelandic text (IRP)
is a clear allusion to its inspiration of Viking practices.
The rune may be linked to Frey or Freya. Oxen were
sacrificed to Frey, as detailed in Gisli's Saga and Viga-Glum's Saga. IRP glosses 'gold' for this rune and both gold and amber,
which was mentioned by Tacitus as one of the trade commodities of the Aestii which fetched a good price from the Romans, are
referred to in Norse myth as the 'tears of Freya'. Significantly the Aestii were said to have worshipped the mother of the
gods and worn her emblem, the wild boar. This will later be found linked to Frey, Freya's brother, and while in later myth
Freya tends to be the whore of the gods rather than their mother she has also been identified with Frigg.
The
necklace Brisingamen, obtained by Freya at the price of sleeping with the four dwarf craftsmen who created it, is the symbol
of Freya's wealth. The rich God Njord, her father, has been implied here, but his place comes more properly when we examine
Laguz.
Runes, as both letters and mnemonic symbols, undoubtedly had correspondences attached to them. Continuing
the association of Fehu with Freya, the following correspondences should be mentioned. Freya found her missing husband, Od,
beneath a myrtle tree. Myrtle wreaths are said to have been worn by northern brides, possibly as a symbol of the defloration
of the first night.
The butterfly was called Freya's hen. Cats were sacred to Freya and drew her chariot. The
cat isn't a particularly old domestic animal in Scandinavia, and a suggestion has been made that the creatures which pulled
the chariot may have been ermine. These could also have provided the white catskin gloves for the völva in Eirik the Red's
Saga. The main qualification for an animal being designated köttr, a cat, was the ability shared by both cats and ermine to
catch mice.
With the advent of Christianity all the Norse gods were demoted to the status of common demons and
Freya became the patroness of the witches. Her sacred animal, the cat, became the archetypal witch's familiar, or animal go-between
serving both the Christian devil and herself. Two of her sacred birds, the swallow and the cuckoo, also fell from grace.
An
identification of Norse paganism with later witchcraft isn't as fanciful as might at first appear. Several authors have already
made the identification, and witch persecutions were chiefly a Northern European phenomenon.
When speaking of
Nerthus, who might be identified as a mother of the gods, Tacitus mentions that her carriage was drawn by kine. Two of Freya's
titles are hörn and syr, the former meaning liquid manure and the latter meaning sow. Both have, albeit differing, fertility
connections, and sow would be an appropriate attribute in opposition to Frey's boar.
Fehu is pronounced as F
in modern English.
URUZ This represents the aurochs, the great wild and untameable cattle of northern Europe which are now extinct. Julius
Caesar described them in De Bello Gallico as slightly less than the elephant in size and of the colour and shape of a bull.
They had extraordinary strength and speed and were exceptionally ferocious. By far the best way of capturing an aurochs was
with a pit trap, and the proof of the adventure was the display of the dead beast's horns. These were of massive size and
were bound at the tips with silver for use as festive cups.
Thus the aurochs came to be a symbol of great strength
and speed, and in being such a challenge to the hunter, also a symbol of man's prowess. There was also a parallel to be implied
in its defence against the hunter, which compared to man defending his home against the invader. The Anglo-Saxon rune poem
(ASRP) describes the beast in terms similar to those employed by Caesar, as both proud and 'having great horns; it is a very
savage beast and fights with its horns; a great ranger of the moors, it is a creature of mettle'. NRP tooks a new meaning
of dross, or slag, while perplexingly offering the line that the 'reindeer often races over the frozen snow'. This echoes
the speed of the aurochs and shows an awareness, albeit a reduced one, of the earlier meaning. IRP offered a meaning of shower,
making the strength of the noble beast into the force of rain beating down upon crops and livestock.
The bull
was believed to have been dedicated to Thor, and certainly the strength of the one reinforces a possible correspondence with
the other. 'Achievement' may also have been a meaning of this rune, with the hunting of the aurochs providing an ultimate
test of strength and initiative.
Uruz is pronounced as the double O sound in the modern English word 'book'.
THURISAZ This is of disputed meaning, but is generally regarded as unpleasant in nature. Giant, troll and demon have
all been given as possible interpretations, and the 'thorn' of ASRP cannot be ignored either.
This is the troll-rune
as used in the Norse poem For Scirnis or Skirnir's Ride. It has the power when employed in a sequence of three to alter the
meanings of succeeding runes. Its use was said to evoke demons from the underworld, and it was also known as 'Hrungnir's heart',
after the legend recorded by Snorri Sturluson of the killing of the giant Hrungnir by Thor. The giant's heart was said to
be like the runic character, sharp-edged and three-cornered, and on the Skane bracteate 1 Thurisaz is written !\ which is
perfectly in accord with this description. !/
ASRP reads 'thorn' for the meaning of this rune. This description
of a sharp and evil thing to touch, uncommonly severe to those who sit amongst them, applies as well to the enemies of the
Æsir as to thorns. NRP and IRP retain 'giant' as the meaning, and ascribe to these creatures a penchant for torturing women.
This could well be a sexual allusion, as the ideas of the thorn and the penis are not unrelated, as the archaic but still
current slang term 'prick', meaning the male member, ably demonstrates.
The shape-shifting power of this rune
is that ascribed to trolls or ogres. That it is hardly favourable is supported by the NRP gloss that 'misfortune makes few
men cheerful'.
Thurisaz is pronounced th as in 'thin'.
ANSUZ This rune has the meaning of a god or deity, specifically one of the Æsir, and as such it is usually ascribed
to Odin as their leader. In later times Odin was also regarded as a wind God and the leader of the Wild Hunt of disembodied
and damned souls, leading them through the air on the storm clouds. The hanged were sacred to him because of his hanging upon
Yggdrasil to win the runes, and sacrifice to Odin by hanging was occassionally practised.
ASRP terms this rune
Os, praising it as the source of all language, a blessing and joy and a comfort to the wise. NRP reads Oss, meaning an estuary
and further describing it as the beginning of most (Viking) voyages. A further cryptic gloss is that a 'scabbard is of swords'.
IRP reads Oss as god, specifically making the God Odin by adding 'Prince of Asgard and Lord of Valhalla'. In case this were
insufficient to render the meaning clear, the Latin gloss in IRP is 'Jupiter, Father of the Gods', which Odin indubitably
was - physically in most cases.
ASRP also provides a verse for Aesc, the 'ae' rune of the Anglo-Saxon Futhork,
which would have taken the place of Ansuz had not Oss been ascribed. The meaning equated here is the ash tree, said to be
exceedingly high and precious to men, whose sturdy trunk offers a stubborn resistance though attacked by many. The ash is
worldly counterpart of the world-tree Yggdrasil, and this meaning reinforces the connection of the A-rune with Odin/God. Indeed,
Yggdrasil means 'Ygg's horse' as 'Ygg's gallows', and it was here that Odin hung while discovering the runes, making ash one
of the sacred trees of both runecraft and Northern myth. According to one authority venomous animals wouldn't shelter beneath
its branches. A carriage with axles of ash went faster and tools with ash handles performed better for the craftsman. Witches
rode upon ash branches and ash is the ideal handle for a besom. Those who ate the red buds of the tree upon St John's Eve
would be invulnerable to bewitchment.
Yggdrasil is rendered as Ygg's, or Odin's, horse or gallows. As the discoverer
of the runes, Odin was also the sorcerer of the gods, and his magic is invariably more powerful than anyone else's. Among
his most famous worshippers was the runemaster Egil Skallagrimsson.
The spear was pre-eminently Odin's weapon
and ash was the wood most favoured for spear-shafts. The casket in which Idun kept the apples which prevented the gods from
ageing was made of ash-wood.
Ansuz is pronounced as in the modern English word 'stack'.
RAIDO A variety of meanings have been ascribed to this rune. They include journey, cartwheel, ride, long journey on
horseback and cart or chariot. The rune could have served as a journey charm to protect both the living and the dead, and
there is also some reason for ascribing it to the God Thor. The Old Norse word reid could mean either a wheeled vehicle or
thunder. Thunder was caused by Thor's wheeled chariot drawn by two he-goats, rattling across the sky.
ASRP offers
Rad as the name for the Rune, but in doing so fails to provide a clear meaning. The gloss, that Rad seems 'easy to a warrior
indoors and very courageous to one abroad on horseback', fits well with the meanings of either thunder or riding. Both NRP
and IRP take riding as the meaning, IRP in its Latin gloss adding iter, or journey. NRP is again somewhat cryptic in its remark
that Regin, the master-smith who was foster-father of Sigurd and brother of the dragon Fafnir, forged the finest sword.
Thor
is closely associated with the oak, and it is widely recognized that the god of the oak, the tree more frequently struck by
lightning than any other, is also the god of thunder. ASRP provides a verse for Ac, the 'ai' rune, describing how acorns fatten
swine for man's table, as well as the wood being used for building ships. Oak was also the wood of the Yule log, and it would
have been very appropriate for the wood burned upon Thor's principal festival to come from his sacred tree. Oak pillars are
associated with Thor in Iceland, as in Eyrbyggja Saga, where Thorolf Mostur-Beard throws his high seat pillars, made of oak,
overboard to establish where he should settle, the decision being taken for him by the place at which they drift to land.
Here, as is other places, the additional matter which can be derived from the extra verses provided by ASRP invariably seems
to show that, in order to find material with which to gloss the extra letters, an earlier, now lost, source was dissected.
This
rune is pronounced exactly as in modern English.
KAUNAZ As with Raido, no immediate and clear interpretation emerges for this rune. Meanings which have been given include
torch, light, boil, abscess and ulcer.
ASRP reads 'torch', known to all living by its pale, bright flame, and
adding that it always burns where princes sit within. This could read just as easily if the meaning were fever, and the less
equivocal renderings of IRP and NRP agree that the rune's most likely interpretation is an association with some form of discomfort
or disease. Both these texts take ulcer as the most probable meaning, and IRP's 'disease fatal to children, and painful spot,
and abode of mortification' can leave us in little doubt, as does its Latin gloss of flagella. NRP provides a direct parallel
with ASRP by stating that this rune 'makes a man pale'.
Other possible interpretations include an association
with cremation, as well as a correspondence with kano, skiff, the sacred vehicle of the cult of Nerthus. Some form of burning
pain or fever, however, still seems the most likely interpretation.
The rune is pronounced exactly as in modern
English.
GEBO This rune has the meaning of a gift, but the nature of the gift remains ambiguous. It could be the sacrifice of
man giving to the gods, or the bounty of the gods giving to man. Man giving to the gods would imply a religious act, and religion
could be regarded as the gift of the gods to man.
This rune was said to protect against the poisoned cup, and
as such may have formed a part of the sequence scored by Egil Skallagrimsson at Bard's feast, when Gunnhild passed a poisoned
cup to him. When we examine the numerology of runecraft later we shall see that three is an important number, and beer-barrels
marked with thee Xs, or gebo-runes, are almost a cliche.
This was one of the runes which was dropped from the
later Scandinavian Futhork, and only ASRP holds a comment upon it. The name as given here is Gyfu, and it translates to mean
generosity. Thus it is said to bring credit and honour to the support of one's dignity, and in the sense of charity it furnishes
help and subsistence to those in need. Again this represents situations applicably to man to man, man to god or god to man.
The
pronunciation of this rune is rather difficult. It is only rarely used as a hard sound, as in 'girl', and never as a J equivalent.
Mostly it was a soft sound with the tongue further back on the palate than for the hard sound, producing a longer, more rolling
'gh'.
WUNJO The meaning of this rune was bliss, comfort and even glory. It might be taken to mean the support of concrete
possessions, but it primarily represented an absence of suffering. Linguistically it compares favourably with the Germanic
wulthuz, glory and winjo, pasture, both of which support its meaning. Wulthuz may also support an association with the Norse
God Ull.
ASRP has Wenne, bliss, enjoyed by the prosperous and contented ones who don't know suffering, sorrow
or anxiety. One opinion has it that this rune induces intoxication, linking it to Gothic woths, furious or raging, and the
frenzy rune which was employed by Skirnir. Woths may in turn descend from the Germanic wod-z, which has the same meaning and
is one of the most probable derivations of Odin. In the Anglo-Saxon 'Nine Herbs Charm' Odin performs magic with 'glory wands',
leading us around in almost a complete circle, with the truth lying somewhere therein. After all, there is no reason why the
'glory wands' should not be 'glory staves', which in turn would relate to the 'glory runes' of Wunjo. The nine twigs bore
the runic initials of the nine plants they represented, which in turn were related to the powers inherent in the plants.
This
rune is pronounced as in modern English.
HAGALAZ This rune means 'hail', both as an aspect of the weather and in the sense of a hail of missiles in battle.
In both senses it has the implication of a destructive and order-threatening force.
ASRP ascribes hail as the
'whitest of grain, whirled from the vault of the heavens and tossed about by wind before turning finally to water'. NRP agrees
with this, whilst irrelevantly adding that Christ created the world of old. IRP refers specifically to hail as an aspect of
the weather, with its 'cold grain and shower of sleet and sickness of serpents'. 'Sickness of serpents' is a kenning, or poetic
simile, for Winter.
Both as a weather weapon and as phenomenon of battle, hail represents a force not completely
within an individual's control.
The flaming wheels, which were later representations of symbols from the hällristningar,
traditionally rolled by the Germanic peoples upon St John's Eve, were called 'hail-wheels'. Their purpose, in that uncertain
climate, was to protect the ripening crops from the ravages of hail. This opens the speculation that the power of this rune
could be magically counteracted by the use of the sun-wheel. Another measure against hail is remarkable because it was employed
by a Christian bishop yet obviously referred back to paganism in its usage. The dignitary concerned took a piece of wax from
the grave of a saint and cut pagan signs, which were most likely runes, upon it. This piece of wax was then fastened to a
tall tree to ward off the hailstorms which had previously damaged the bishop's crops.
This rune is pronounced
as in modern English.
NAUTHIZ This rune has the meanings of need, constraint and even, in extremis, misery. Some authorities read this as
a fate-rune and equate it with the Nornir, or Fates, or Norse myth. It had the power of providing help when scratched upon
a fingernail, and its meaning thus vacillates between assistance and the need to survive.
While Nauthiz might
provide assistance, NRP glibly states that constraint gives scant choice, and that a naked man will be chilled by the frost.
IRP also offers constraint, but equates the rune with the need for work, thereby offering a solution to its attendant difficulties.
It glosses the rune with the Latin opera, or work, confirming this. ASRP alone offers a degree of hope, despite rendering
the rune-name as Nyd, which translates as trouble.
The rune is pronounced as in modern English.
ISA This means ice, which like hail, is an essentially damaging natural force. ASRP regards ice as very cold and slippery,
like a floor which has been made from glass but which is nevertheless fair to look at. NRP calls it the broad bridge and adds
that the blind man must be led. This could be taken as a cryptic warning or as a straightforward piece of practical advice.
IRP
glosses this rune with the Latin glacies, or ice, and provides kennings with the phrases 'bark of riveers', 'destruction of
the doomed' and 'roof of wave', despite the fact that salt water freezes with less ease than fresh.
In some interpretations
of the story of Odin's wooing of Rind, ice is regarded as the power he used to bind his enchanted bride-to-be. If this is
the case, then one virtue of this rune might be to reinforce the strength of a rune-spell.
The rune is pronounced
as in modern English.
JERA Interpretations which have been offered for this rune include year, spear, harvest, year of plenty and year of
good harvest. Both NRP and IRP prefer to render the meaning as 'plenty', IRP adding a good summer and thriving crops for good
measure. NRP, cryptic as ever, adds that the peace-loving Danish king Frothi was generous, adding to the overall impression
of prosperity associated with this rune. IRP offers the Latin gloss annus, year, and ASRP reads 'summer' while giving the
name of the rune as Ger. This derives from gear, a word originally referring to the warm part of the year.
The
concepts of a season of fertility and a good harvest were vital, in the true meaning of 'vital', to agricultural communities
in the uncertain northlands.
The rune is pronounced as in the modern English word 'yes'.
EIHWAZ This rune means 'yew', a wood both sacred to runecraft and used for the making of bows. The hunting God Ull
built his hall in Ydalir, Yewdale, and the bow was regarded as his sacred weapon.
ASRP and NRP eulogize the qualities
of the tree, which has rough bark, stands hard and fast in the earth, is a guardian of flame, a joy upon an estate, the greenest
of trees in winter and, lastly, apt to crackle when it burns. Only IRP reads 'bow', describing it as an implement of battle
and speeder of the arrow, and using arcus, bow, for the Latin gloss. In Christian times Ull's place was taken by St Hubert,
the hunter, patron of the first month of the year. Ull was regarded as a winter God and the first month began, appropriately,
on 22nd November, when the sun passed into the sign of Sagittarius, the archer.
In Christian myth, the yew was
both a help and a hindrance to witches. According to some, it was of assistance because it was planted near to churches, thus
offering some sacrilegious but unspecified benefit. According to others it protected churchyards from the demonic arts of
these vile creatures. Certainly it was of use to the third with in Macbeth, who employed among other charm ingredients 'slips
of yew, sliver'd in the moon's eclipse.' In German folklore, yew ground to powder and baked was a sovereign remedy against
the bite of a mad dog.
The rune is pronounced as in modern English 'yet'.
PERTHO Perhaps the greatest mystery in the futhark is the meaning of this rune. Attempts to interpret its meaning range
from dance, through fruit tree, to hearth.
ASRP offers 'chessman' as a meaning, describing it as a source of
recreation and amusement to the great gathered together in the banqueting hall. Yet in citing this, Dickins notes a comparison
of the rune-name with the Slavonic word pizda, or vulva. This would make the rune sacred to Frigg as the mother figure of
the gods and provide direct parallel with the essentially male fertility implicit in the later rune Inguz. Pertho has also
been thought to be symbolic of the magical powers of the earth, through a supposed derivation from the Latin petra, rock.
A
brief examination of some of the other meanings may serve to clear things up somewhat. Dance was one of the earliest symbolic
acts of worship, possibly because of the erotic excitation it was capable of producing. Certainly in some of its motions it
could provide parallels with movements used in sexual activity. Its suppression by Christianity, probably during the council
held under Boniface in 742, and the identification in Anglo-Saxon of the word lac with both religious ceremony and dance,
combine unerringly when we realize that lac forms the second syllable of the Anglo-Saxon for wedlock, and is still identifiable
in the word we use today.
A possible candidate for the fruit tree might well be the elder. 'Devil's wood' is
a folk-name still extant for elder in our own time, because of its difficult properties when burning. Elder is wood associated
with witchcraftm and its name is said to be derived from the Slavonic hohl, hollow, itself a synonym for the female genitalia.
The use of both elder flowers and berries for wine, Odin's intoxicating staple diest, is well-known. The church's regard for
witchcraft as an essentially female phenomenon, coupled with 'devil's wood', and the derivation of its name from a synonym
for the female sexual organs, begins to reinforce the interpretation of vulva for this rune. Elder is regularly used in charms
to relieve pain, and the therapeutic value of sexual intercourse is too widely known to require more comment.
The
rune is pronounces as in modern English.
ALGIZ This rune implies defence and protection, possibly even
in the form of an amulet or temple sanctuary, and related words are the Gothic alhs, temple and the Old English ealgian, to
protect. There may also be a relationship here with the mysterious runeword alu. The meaning has also been equated with the
elk, mentioned by Caesar as sleeping upright leaning against a tree to elude the hunter more easily, and thus in some measure
a symbol of preservation in the face of adversity.
ASRP confusingly takes the meaning as some kind of sedgegrass
found in marshes, and inflicting terrible wounds on anyone incautious enough to brush against it. This would be an admirable
protection against being uprooted or eaten.
The rune's resemblance to the outstretched hand, palm outwards or
upwards, has also been pointed out by some writers, again implying a protective power which can avert or banish evil. This
is a tempting reinforcement of the rune's meaning, but it has the disadvantage of leading into the highly speculative area
of attributing pictographic meanings to the runes. This has led many would-be interpreters into gross errors, yet its resemblance
to the branch configurations of ash, walnut or linden trees, at which witches were wont to assemble at the full moon in Slavonian
gypsy lore, might be noted in passing.
The rune is pronounced somewhere between z and r.
SOWULO This rune represents the sun, the heavenly body upon which all life depends and one of the principal objects
of any ancient worship. Caesar observed that the Germani worshipped both the sun and the moon, and both of these luminaries
would have played an important part in daily life, regulating as they do between them both the seasons and the tides.
ASRP
describes this rune as the hope of seafarers, NRP has it as the light of the world, and IRP poetically calls it shield of
the clouds, shining ray and either destroyer of ice or circling wheel. The Latin gloss is rota, wheel. As shining is the most
frequently applied adjective to the sun we may trace a correspondence with the Shining God of Norse myth - Baldur, patron
of innocence and light. Camomile was called 'Baldur's brow' because the flower was so immaculately pure it resembled the god's
forehead. Baldur is also closely associated with the mistletoe, a shaft of which was set into blind Hodur's hand by Loki to
kill Baldur.
The rune is pronounced as in modern English 'sea'.
TEIWAZ This is the rune of Tyr, God of war, giver of victory and protector from harm. Amuletic use of this rune was
widespread, even in the earlier centuries of runecraft.
ASRP stands alone in not ascribing the rune to the God
of war. Yet although it prefers to make Tyr a star, possibly a circumpolar constellation, the descriptive gloss goes well
enough with the war God: 'well does it keep faith with princes; it is ever on its course over the mists of night and never
fails.' Thus it confirms the sense of optimism integral to this rune.
NRP and IRP, which glosses Tyr as Mars,
both refer to Tyr as the one-handed God. When the Fenris Wolf was being bound with fetter from which it could not escape,
Tyr placed his hand in the creature's mouth as a false pledge. It discovered it was trapped and bit Tyr's right hand off.
Despite the falsity of the pledge, this story is used to illustrate Tyr's nobility of spirit. Frey gave his sword for love
of Gerd; Odin gave his eye for personal love of wisdom; but Tyr gave his hand for love of his fellows. (For this reason the
wrist is referred to as the 'wolf-joint'.)
Aconite was known in the north as 'Tyr's helm', an interesting fact
in view of its folk name of wolfsbane. Wolfsbane was also known as Sagittarius because of its poison was used on arrow-heads.
It was also a principal ingredient of the witches' flying ointments. In view of the rune being a perfect representation of
an arrow, this association is both remarkable and apposite.
This rune has also been identified as the geir's-odd
or spear-rune. This was the sign supposed to be cut by an ageing warrior in his own flesh so that he might enter Valhalla,
instead of dying a 'straw-death' in bed of old age.
Teiwaz is the commonest of the runic symbols found upon English
cremation urns. On the one from Sawston in Yorkshire, it appears in connection with that other archetypal Germanic symbol
the swastika.
The rune is pronounced as in modern English.
BERKANA The birch tree was regarded as sacred and associated with spring fertility rites. Idun was believed to be the
Goddess of spring, and her youth, vigour and beauty were symbolic of the vegetative resurrection which the season brought.
She was also the keeper of the apples that gave perpetual and spring-like youth to the gods.
ASRP confuses the
issue by describing a tree which is more likely to be a poplar than a birch. NRP and IRP agree that birch has the greenest
leaves of any shrub, and NRP comments cryptically that Loki was fortunate in his deceit, which would appear more perfectly
applicable to the mistletoe.
This rune is rarely pronounced as a stop, as in 'bird'. Elliott compares the sound
to that made when blowing out a candle without rounding the lips.
EHWAZ This is the horse rune. Horses have been regarded as sacred since the earliest times, and Tacitus describes pure
white horses, kept at public expense and not used for any kind of work, yoked to a chariot and used to confirm divinations
by their snorts and neighs, which were interpreted either by the king or by a state priest. He added that the horses were
believed to be privy to the counsels of the gods. Odin's own eight-legged mount, Sleipnir, was believed to have been either
pure white or dappled grey.
ASRP confirms the rune-meaning of horse, describing it as a joy to princes in the
presence of warriors, a steed in the pride of its hoofs when rich men bandy words about it, and ever a source to comfort to
the restless. The horse was frequently regarded as sacred to Frey, and the animal's dedication to that deity is a central
theme of Hrafnkel's Saga.
The heathen Swedes were called 'horse-eaters' by their converted compatriots, an appellation
which continued to be used throughout the eleventh and twelfth centuries. Such a diet, albeit ceremonial, was also the reputed
provender of giants and witches and was associated with the worship of Odin. The witches, the equivalent of the old pagan
völvas or sybils, suitably denigrated for the purposes of the Christian hierarchy, were well-suited to keep company with the
giants, who were themselves a distorted memory of the old pagan heroes. The horse was the favoured animal of that folkloric
archetype the solar hero, and thus to the virtue of this rune may be added that certainty which accompanied the exploits of
the invulnerable hero carried along by the sacred solar horse.
The rune is pronounced as in modern English 'end'.
MANNAZ This rune stands for man, either the individual or the race, and it was thought to possess powers for defence
and protection.
ASRP comments with true pessimism that every man is doomed to fail his fellows, since the Lord
by his decree will commit the vile carrion to the earth. NRP adds, cryptically as ever, that great is the claw of the hawk.
IRP maintains a steady optimism by describing man as the augmentation of the earth and the adornment of ships, and glosses
the Latin homo, man. Some authorities note mention in Tacitus of an earth-bound God called Tuisto, who had a son called Mannus,
thus establishing a speculative link between the deity and this rune.
The rune is pronounced as in modern English.
LAGUZ This rune represents water, perhaps as a source of fertility. One authority regards the name as a late replacement
and prefers to read an earlier sense of leek, or herb, pointing to an association of the shape of the leek with pagan phallic
practices. Whilst this coincides with the fertility aspect of the rune, the water interpretation is very well established,
and the rune is associated with the Vanir God Njord. The marine sponge was known as 'Njord's glove', and he was regarded as
a wealthy deity associated with the sea. Gulls and seals were sacred to him.
ASRP reads 'ocean' for the meaning
and glosses this with a note on the terrors of the deep. NRP reads waterfall, but glosses Njord's richness with the line that
'ornaments are of gold'. IRP glosses the Latin lacus, lake, and confirms water as the eddying stream and the land of the fish
and the broad geyser.
The rune is pronounced as in modern English.
INGUZ This rune is associated with the deity Frey, also known as the hero Ing. It denotes fertility, as as Frey has
been represented ithyphallically, it may well stand for the male generative organ and be a direct equivalent to the female
Pertho.
ASRP refers to Ing as a departed hero of the Danes. Fertility flourishes best in peacetime and Frey's
cult as a god of peace and prosperity descends from that of the earlier Goddess Nerthus. The jul, or Yule, feast was dedicated
to Frey, and the head of his sacred animal, the boar, was served crowned with laurel and rosemary.
The rune is
pronounced as in the modern English word singer.
OTHILA This rune means inheritance, in the wide sense of anything of value which can be passed down or handed over,
including knowledge. It can also refer to the ancestral home and, by extension, the native land.
This is one
of the runes not included in IRP and NRP, and so we only have the words of ASRP to work with for amplification. ASRP glosses
the meaning with 'estate', which is very dear to every man if he is able to enjoy, in his own home, whatever is right and
proper in constant prosperity. Unfortunately here we have the materialistic tendencies of medieval Christianity creeping in
to modify the wider meaning.
The rune is pronounced as in modern English.
DAGAZ This stands for day, the security of daylight as opposed to the inconvenience, if not actual terror, of night.
Day is the time of being able to see and thus counteract one's foes, the time when work may go ahead well.
The Ogham Alphabet

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Birch - B
Back to alphabet |
Birch is one of the first trees to grow on bare soil and has come to symbolize fertility, healing
and rebirth. The tree itself was used for almost everything from canoes to producing sugar and represents that which is needed
for everyday living. It is known for its protective healing abilities and is used to drive out evil spirits and as protection
from the faery folk. |
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Rowan - L
Back to alphabet |
The rowan is also known as the mountain ash and the witchtree (because of the pentagram that can
be found at the base of its berries). It has always been regarded as an aid for protection against evil charms and enchantment.
It is believed that if it is planted at the gate of your garden it will ward away evil spirits, if used as a walking stick
it will protect the traveller from evil and guide him home safely. In addition it is associated with astral travel, vision
and healing. The berries and leaves are dried and burned as incense to invoke spirits, familiars, spirit guides, and the elements. |
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Alder - F
Back to alphabet |
The Alder is an unusual tree, it is waterloving yet
is also highly combustible, making it very sacred as it combines the elements water and fire. Because of its fierce flame
it is sometimes known as the warrior tree, its symbolism being that of strength, tenacity and determination. Because of its
resistance to water it can be used to hold water elementals and negative spirits. Dyes can be made from its bark, flowers
and twigs, one of which was red which the druids used to dye their faces during rituals. |
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Willow - S
Back to alphabet |
The Willow is regarded as feminine and is closely associated with the moon and water. It is seen
as a melancholic tree representing sadness, it is believed sitting underneath it will soothe the emotions and banish depression
and sadness. In addition it was associated to love, healing, rhythms, and the gaining of eloquence, inspiration, growth and
skills. It is said to protect from enchantment. |
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Ash - N
Back to alphabet |
Ash also referred to as Yggdrasil in Northern Europe
and known as the world tree was very sacred to the druids. Its main symbolism being that of stability as it links the inner
and otherworlds. It is used in spells that require focus and strength and is often used to banish mental strife. It is said
that if you put its leaves under your pillow it will induce psychic dreams. |
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Whitethorn - H
Back to alphabet |
Also known as the Hawthorn, its is considered to be one of the most powerful trees. It is closely
associated with witchcraft, protection, fertility. It is often used for love/marriage spells and protection with its powers
of dispelling negative energy and strife. The hawthorn is said to stand at the doors of the otherworld and is sometimes called
the faery tree and can be found 'guarding' cemeteries and holy places. The tree except in May is usually regarded as a very
unlucky tree due to its contradictory nature of having beautiful flowers and deadly thorns. |
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Oak - D
Back to alphabet |
Oak has always been respected by nearly all world cultures. Admired for its strength and size it
represents strength, endurance and power. Because it is often struck by lightening it has become associated with having the
ability to attract inspiration, wisdom and illumination. Oak galls were known as Serpent Eggs and were used in magic and charms.
It has also been associated with fertility. The oak is considered very sacred to the druids and there name has even been linked
as a derivative of duir (oak). |
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Holly - T
Back to alphabet |
Holly is associated with the cycle of death and rebirth representing winter winning over summer.
With this symbolism in mind it is good for spells that involve sleep or rest. Because of its bristles and its use in making
spears it is closely associated with combat and protection, warding away evil spirits and also signifying the virtues of balance
and directness. It is favoured during the winter season as lucky with its beautiful leaves and berries being very colourful
against the dead landscape giving hope for the following summer during the dark months. |
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Hazel - C
Back to alphabet |
The hazel is considered one of the most important
trees it is very closely related to the salmon, who eats its nuts of poetic wisdom. Its associations are: intuition; poetry;
divination; meditation; wisdom; knowledge and fertility. The nuts have been eaten to gain knowledge, they have also been used
as part of a hallucinogenic brew to induce visions. In addition many love spells and aphrodisiacs can be made from its nut. |
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Apple - Q
Back to alphabet |
The apple tree represents youth, beauty, and love.
It features in most major myths as the fruit that keeps the gods young/immortal. Its juice can be used to infer strength and
beauty. It was also seen as the fruit of choice seen in the myth of the bible and also of Paris and the three goddesses. It
is commonly used for spells regarding love and healing. |
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Whitethorn - H
Back to alphabet |
Also known as the Hawthorn, its is considered to be one of the most powerful trees. It is closely
associated with witchcraft, protection, fertility. It is often used for love/marriage spells and protection with its powers
of dispelling negative energy and strife. The hawthorn is said to stand at the doors of the otherworld and is sometimes called
the faery tree and can be found 'guarding' cemeteries and holy places. The tree except in May is usually regarded as a very
unlucky tree due to its contradictory nature of having beautiful flowers and deadly thorns. |
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Oak - D
Back to alphabet |
Oak has always been respected by nearly all world cultures. Admired for its strength and size it
represents strength, endurance and power. Because it is often struck by lightening it has become associated with having the
ability to attract inspiration, wisdom and illumination. Oak galls were known as Serpent Eggs and were used in magic and charms.
It has also been associated with fertility. The oak is considered very sacred to the druids and there name has even been linked
as a derivative of duir (oak). |
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Holly - T
Back to alphabet |
Holly is associated with the cycle of death and rebirth representing winter winning over summer.
With this symbolism in mind it is good for spells that involve sleep or rest. Because of its bristles and its use in making
spears it is closely associated with combat and protection, warding away evil spirits and also signifying the virtues of balance
and directness. It is favoured during the winter season as lucky with its beautiful leaves and berries being very colourful
against the dead landscape giving hope for the following summer during the dark months. |
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Hazel - C
Back to alphabet |
The hazel is considered one of the most important
trees it is very closely related to the salmon, who eats its nuts of poetic wisdom. Its associations are: intuition; poetry;
divination; meditation; wisdom; knowledge and fertility. The nuts have been eaten to gain knowledge, they have also been used
as part of a hallucinogenic brew to induce visions. In addition many love spells and aphrodisiacs can be made from its nut. |
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Apple - Q
Back to alphabet |
The apple tree represents youth, beauty, and love.
It features in most major myths as the fruit that keeps the gods young/immortal. Its juice can be used to infer strength and
beauty. It was also seen as the fruit of choice seen in the myth of the bible and also of Paris and the three goddesses. It
is commonly used for spells regarding love and healing. |
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Vine - M
Back to alphabet |
The vine has been cultivated for a very long time throughout Europe and is one of the greatest
suppliers of wine. Due to the heady effects of wine this plant was associated with the loss of inhibitions and the loosening
of the tongue. It represents the release of prophetic powers and the revealing of truths. |
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Ivy - G
Back to alphabet |
Ivy is able to thrive and grow in almost all environments, it is extremely strong and is very difficult
to destroy. Its stalks grow in what appears a helix and therefore represents the growing spiral of self enlightenment that
was sacred to the celts. It symbolizes the soul and its journeys both inner and outer on its search for nourishment. |
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Broom - Ng
Back to alphabet |
Broom is the equivelant of Furze or gorse and was
also used to sweep ritualistic areas to purify them. It is set on fire to burn away all the old growth and make way for the
new. It is seen as a good plant to use when wanting to make new starts or begin new ventures. |
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Blackthorn - St(z)
Back to alphabet |
Blackthorn is a winter tree and is very hardy, it
has black bark and is armed with vicious thorns and can be found growing in dense thickets. Its wood and its thorns are used
for offensive magic like thundersticks or piercing effigies. The plant itself has come to represent fate or outside influences
that must be followed. |
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Elder - R
Back to alphabet |
Elder is well known for its regenerative properties,
it can easily regrow damaged branches and roots quickly from any part. It represents the end in the beginning and the beginning
in the end. It was considered by some as unlucky as it was the abode of witches, but to others it was the tree of second sight
that allowed you to see the faery folk. It was a sacred tree and it was not allowed to be damaged in anyway the druids used
it both for spells and curses. It was believed that if you bathed your eyes in the sap of the wood it allowed you to see faeries
and witches. |
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Silver Fir - A
Back to alphabet |
The fir is a tall slender tree that grows in mountainous regions, its cones respond to the environment
by opening with the sun and closing with rain. Because of its height it indicates aspiring views, far sight and clear vision.
In addition it symbolizes flexibility, astuteness and the ability to change. Its wood is considered good for magic that involves
shapeshifting and other changing magics. |
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Furze - O
Back to alphabet |
Furze, or gorse was used to sweep important areas
and is seen as a purifier. It is said that burning the blooms and shoots will calm the wind, it is also set on fire to burn
away all the old growth and make way for the new. It is seen as a good plant to use when wanting to make new starts or begin
new ventures. |
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Heather - U
Back to alphabet |
Heather grows in great abundance and helps form vegetation
known as heath this is believed to be the source of the phrase heathen as many ceremonies of this nature were carried out
on the heath. Its blossoms can be made into tea and it is a great producer of honey with the aid of the spirit messengers
- bees. It has come to represent healing and a way to be closer to the otherworld. |
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White Poplar - E
Back to alphabet |
The poplar or aspen is also known as the whispering and quivering tree due to the fact that its
leaves move and rustle with almost every murmur of the wind. It is a very hardy tree and has come to represent protection
and durability. The tree has the ability to shield and resist, and is closely associated with the gifts of speech and wind.
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Yew - I
Back to alphabet |
The Yew tree is sometimes regarded as the most sacred tree to the druids with it symbolism of death
and rebirth (due to the fact that the outer tree dies and a new tree grows within). It represents transformation & reincarnation
and may be used to enhance magical/psychic abilities as well as induce vision. All parts of the yew are poisonous apart from
the berry covering and it was used to poison weapons, it was also used to make bows. |
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Aspen - EA
Back to alphabet |
The Aspen has much
symbolism to do with christianity and the devil, the reasons being: Christs cross was made from aspen and Judas was supposed
to have hanged himself from this tree. The tree itself is used to commune with the otherworld - demons in particular and is
used for protection against the forces of darkness. |
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Spindle Tree - OI
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The wood of the
spindle tree is bright, colourful and was used to make spindles. With this in mind we can see why it came to embody creative
inspiration, purification, initiation and blessings. |
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Honeysuckle - UI
Back to alphabet |
Also known as Woodbine
this represents attraction and sweetness, it is useful for spells concerning glamours or attracting something into your life. |
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Pine - IA
Back to alphabet |
Its title of old
was "the sweetest of woods" and it is favoured for its vitamin C. It governs issues concerning clear thought and preservation. |
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Witch Hazel - AE
Back to alphabet |
This symbolizes
absorption and cleansing. In times of old it was used to treat acne and skin complaints. Due to its ability to absorb it is
used to absorb attacks and negativity therefore purifying areas and objects. |
Thanks to www.uponreflection.co.uk
Seeking to renew my magic...
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